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As I was leaving an advance screening of this new action movie starring Dwayne Johnson, a critic friend of mine said to me, 锟絀 liked 锟絋he Tooth Fairy锟?better,锟?referring to an earlier, really bad Johnson movie. It was a joke on her part, but she sure was right. That film was far above this one in writing, acting, directing and entertainment value. And remember, it was a dog.Johnson, who cut back on his wrestling career as The Rock, in order to go for movie star status,
http://www.chanelbagsroses.com/, hasn锟絫 exactly chosen wisely in his roles, though he锟絪 been effective in at least a couple (锟紹e Cool锟?and 锟紽ast Five锟?come to mind). But he锟絪 at least always looked like he锟絪 having a good time up on the screen, even in throw-away movies such as 锟絉ace to Witch Mountain锟?and 锟絁ourney 2: The Mysterious Island.锟紹ut this time out, as a hard-working construction boss who锟絪 doing what he can to reduce an unfair prison sentence his son is facing, he looks uncomfortable. No, his character is not supposed to be having a good time; in fact, his well-meaning but na锟絭e John Matthews is under a lot of stress, from many different angles. But despite a couple of practically trademarked big, white widescreen smiles, Johnson appears to be an actor who knows he锟絪 working with a script that has nothing going for it.His estranged son Jason (Rafi Gavron) reluctantly agrees to accept a package from a drug-dealing friend, is caught, and is tossed into the slammer,
longchamp pas cher, for a possible 10 years, when that friend rats on Jason as part of a plea bargain. It锟絪 up to John, after making a deal with politically ambitious District Attorney Joanne Keeghan (Susan Sarandon, slumming), to do some snitching of his own to get the kid released. The deal: He锟絣l work his way into a big dealer锟絪 gang, then turn him in to the Feds.There锟絪 promise in the story, if only the story was written in a coherent manner. But this is a film that keeps introducing characters 锟?some of whom speak so unintelligibly,
Hogan, even subtitles wouldn锟絫 help 锟?but never bothers to develop them. Worse, the script features a number of scenes that start with some sort of premise (John锟絪 wife finds out what he锟絪 up to, and reprimands him), then cut away to an unrelated scene without letting the first one come to any kind of conclusion.There锟絪 also an awful lot of talk, along with an attempt to build up some tension. But hardly anything actually happens in the first hour. Too bad that there锟絪 also almost a full second hour, one that leads to an inevitable and standard eruption of violence involving blazing guns and fiery car crashes (and, OK, one very cool 18-wheeler truck stunt). Yet even with mayhem finally arriving in its closing moments, the sequences aren锟絫 earned; they come out of nowhere and don锟絫 offer any sense of satisfaction. Purely violence for the sake of violence. This was another mistake for Johnson. Let锟絪 see what he can do with theupcoming 锟紾.I. Joe锟?and 锟紽ast & Furious锟?sequels (and at 锟絎restlemania 29锟?.Ed Symkus covers movies for GateHouse Media.SNITCHWritten by Justin Haythe and Ric Roman Waugh; directed by Ric Roman WaughWith Dwayne Johnson, Susan Sarandon, Barry Pepper, Jon BernthalRated PG-13
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