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It's taken Trash McSweeney five torturous years to get the colours of his songs right.The founder and driver of powerhouse indie rock outfit The Red Paintings has synaesthesia, which means the pathways in his brain make music sound like different colours to him. The sound was coming out of the speakers on the desk,prada outlet, and I said 'That sounds like orange, it can't sound like that', McSweeney said. So I'd be trying to explain it to the engineer, 'Look man, it needs to be green, can we start EQ-ing differently?' He'd say 'Oh my god, you're crazy',burberry outlet online, but then he'd do it, and it was right, it would work. It may sound like artistic whimsy, but for McSweeney it was the tip of a titanic struggle that saw him lose a relationship and almost his life to make the album The Revolution is Never Coming. I had seizures while I was recording it, I tried to commit suicide in Nashville during the recording, I went through so much turmoil inside because I was just so f---ing frustrated that I couldn't get it right, he said. I felt like I was ripping off the fans and fans were frustrated with me and I was having to call them around the world and explain my situation so they wouldn't get angry at me. Formed in Geelong, the band based itself in Brisbane for much of the 2000s, gaining a passionate band of followers due to the rich scope of its musicality and intense stage performances, which utilise live painting on stage, including on "human canvases".McSweeney turned to fans for financial help to make the band's first full-length record as well as for the odd couch to sleep on when he travelled."I raised $160,000 to make the album,http://www.pradamaindesign.com/, but I spent $234,000 in the end," he said.McSweeney said fans eventually accepted that the initial six-month timeline had turned into an "ordeal ."All it is,burberry outlet, is f---king music, why does it have to be such a hard thing? But when you listen to it, you understand why."The 13-song record is a true concept album, a dizzying rush of thought and sensation, as if McSweeney had drawn pieces of bone from his body and turned them into startling riffs and surreal, urgent lyrics.With themes of death, isolation, frustration and occasional wistful joyousness, McSweeney said he didn't realise the album would see him travel the world to work with eight different producers, before doing a final "epic mix" in Los Angeles earlier this year."It was always going to be this dynamic, apocalyptic,louboutin outlet, epic-sounding record," he said."I had to give everything to the bone my skin, my soul, my muscle, my heart even, it had to go, otherwise I wasn't going to get to the moon. I had to be the lightest I could be."McSweeney said he had the first proper deep sleep once the final mix was done and is now ready to go on tour in a much more positive frame of mind.And as for those colours? McSweeney says his persistence was rewarded when a small group of fans were given a preview of the record and asked to paint what they were listening to."It was the most amazing experience for me because those fans were painting the stories of the songs in the canvas and they didn't even know it," he said."At the end I had something like 100 paintings and I could see there was a connection between almost every painting there was a common thread."The Revolution is Never Coming is released nationally on June 7. The Red Paintings will play Sydney's HiFi Bar on June 14, The Espy in Melbourne on June 15, and The HiFi Bar in Brisbane on June 22.
Finally, although I suspect there will be several more events, those of us who like mild will be well catered for by the Mini Mild festival in the cellar bar at the Flowerpot in Derby, which features seven of them from May 23-26.
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